How to Get Published

by John Bowers

One of the hardest things I face when writing a novel is keeping the story consistent. Writing a book-length story may take from a few weeks to a few months, and you put the story down a few hundred words at a time. Over a period of several weeks, it’s sometimes hard to keep track of what happened earlier, and consistency can suffer.

If you’re writing from a detailed outline it may be easier, but if you’re like me, outlines are too restrictive. When I start a novel I usually have a general idea of what the book is about, three or four high points I want to hit, and a couple of characters. From that starting point, the adventure begins, and I usually don’t end up where I thought I might. But the journey is fantastic-I discover the story as I go, just as the reader does later on. Read the rest of this entry »

by John Bowers
One of the great things about reading a good adventure book is the atmosphere in which the story takes place. If the author is good, you are transported to whatever setting he describes, and wish you were actually there as events take place. Atmosphere is critical to a good novel, but how hard is it to create?

There are many kinds of atmosphere. Initially we think of the setting, like a cool autumn day where the trees blaze with color and a delicious little wind stirs the leaves around your feet; or a sunny beach where the sun bakes you brown and the surf crashes loudly while circling seagulls screech overhead-but atmosphere can be more than that. Atmosphere can be a pall of gloom that settles over a city under siege, a joyous giddiness that infects the guests at a wedding, or a cold dread that stalks the streets where a serial killer remains at large.

You can develop an exciting plot, colorful characters, and lots of action, but without atmosphere, your novel is missing a key ingredient. Read the rest of this entry »

by Al Kalar
One of the pieces of advice I give writers is, “join a writing workshop”. No, not a one-day “become a best-selling author” given by Famous Writer. I’m talking about a peer-to-peer workshop that’s really a club.

Well, I do follow my own advice. I’ve been a member of an online workshop since the late 90’s and I learned a LOT. I still learn more on a regular basis, but I also dispense advice (everyone does from the day they join).

This last weekend, I critiqued a submission from one of our members. The writer is a big fan of “classic” pulp science fiction and decided to write his book in a similar style, including a rather lengthy “foreword”. I took him to task over the forward (it violated my favorite “rule”: get right into the story, explain later if at all). I also objected to the fact that he started with four separate story lines (part of the reason for the forward). Read the rest of this entry »

by Al Kalar

One of my jobs in this madhouse, is “gatekeeper”. I review new submissions to see if they get rejected up front or considered for publication. I hate saying “no”, but if I don’t, we’d be flooded with less than top notch material.

Lousy material takes too much time to whip into shape and often can’t be saved. Although we edit everything we publish, we’re not in the business of editing poor quality stuff to help a writer get published. There are people who do that and some are very good at it (and some are not). But, even though our editors are great, our job is publishing.

Back in May, I gave you 11 Ways to Get Rejected. Well, what about the flipside? You know, the goal of the submission process - acceptance.

Obviously, the most important thing is to not do any of those 11 deadly things.

We’re strictly an eBook publisher, so we do everything digitally. To get a novel accepted at AKW Books, you should do the following: Read the rest of this entry »

The New Lay of the Land -

Surviving and Thriving the Changes in Book Publishing

by Jerry Simmons
On April 3, 2010 book publishing changed forever. Apple launched the iPad, a digital reading device that officially heralds the beginning of the dismantling of the big publisher model that has been dominant for more than sixty years. A new benchmark has been created and a universal platform is now established that allows every writer, publisher and business to profit without having to rely on a major publisher.

Jerry D. Simmons, a 32 year veteran of publishing, offers some very telling insights into the changes that are in store for the publishing industry.

Welcome to the new world of electronic publishing! There are three important trends in publishing today. Read the rest of this entry »

by Victory Crayne

Ah, that sweet spot when you’ve completed the first draft of a new story. In your excitement, you may want to show others your creation. After all, if you had so much fun writing it, it MUST be good, right?

Hold it right there!

First drafts can always use some revisions and, in some cases, SERIOUS rewriting. You wouldn’t want people to read your half-baked draft and think that it is your BEST work, would you? Read the rest of this entry »

by Jerry Simmons

The fact that someone completes a manuscript does not make them a writer with something worthy of publication. There is much more to publishing than throwing content together and having copies printed. In fact, anyone who thinks they can simply write, print and become successful does not understand the marketplace. Writers who are serious about their craft need an editor and a publisher if they hope to have a chance at success.

Publishers are not printers and the large print-on-demand companies are printers, not publishers. They have utilized a technology and turned it into a multi-million dollar business, good for them. However too many serious writers get caught up in the idea these big printing companies are interested in what you are writing. Excuse me but they are not! They are interested in selling you services that merely add to their bottom line. Read the rest of this entry »

by Al Philipson

A good story often involves a number of details. Plots, people, and things that often come together at the end to produce the all-important climax.

Along the way, you’ll include a number of things which may or may not be important to the story. Keeping track of these things over the months it takes to write a novel can be daunting at best and impossible at worst, especially if, like me, you forget things easily (why did I come into this room?). Read the rest of this entry »

by Al Kalar

Good writers get all they can out of a verb.

For instance, when a character moves from one place to another in a scene, he doesn’t “move across the room”. He “plunges”, “saunters”, “minces”, “charges”, “slinks”, etc. across the room.

Let’s look at an example:

Jim moved over to Henry and hit him in the face.

[yawn]

Jim charged Henry and smashed a fist into his face.

So, what happened to Henry?

Henry fell to the floor. His nose was bleeding.

[Wake me when it's over]

Henry crashed to the floor, blood flowing from his mangled nose.

Remember to review your verbs when you edit your own work. Not just action verbs, but any verb. Victims aren’t afraid, they “quake”; their knees shake, their stomachs churn, and their bowls threaten to disgrace them.

Your thesaurus (often built into your word processor) can be a good friend, but your mind and a command of a wide range of verbs are your main weapons.

by Jim Gamble

Out of the blue a few weeks ago, the president of a service club I attend asked who had written a book. Hesitantly, five of the hundred business people present raised their hands as if they had done something wrong. He then, in subsequent weeks, asked for book reports. Here’s mine, mainly using a series of quotations:

Edward Gibbon summed up my background saying,

“Un-provided with original learning, uninformed in the habits of thinking, and unskilled in the arts of composition, I resolved to write a book.”

Gene Fowler 1890 -1960, then explained in detail how it’s done,

“Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead.”

Having never written a line of fiction (except in loan applications), I needed help. Others in our SFN writers group assisted when I told them what Fred Allen said, “You write so well you make me feel like putting my quill back in my goose.”

All writers should understand there are pitfalls that should be avoided. Samuel Johnson wrote, “Your manuscript is both good and original, but the part that is good is not original and the part that is original is not good.” Read the rest of this entry »