How to Get Published

A Rerun

By Al Kalar

Make your characters grow

The arc, or climax, in a story is the place where most of your accumulated problems come together. It’s the rescue, the big battle, the proposal where the girl says “yes”, landing the big job, getting away with the heist or getting caught. It’s usually the most dramatic scene (with the possible exception of the start) in the book.

For a non-fiction work, it may be where you tie all your lines of logic together, the proposal, or exposition of the consequences of what happened before in a history work. It’s the point towards which you were going with the front portion of your book. (more…)

A Rerun

By Al Kalar

We’re going to cover several topics today: plot development (the overall theme), introducing characters, character growth, and repeated words.

Plot development originally takes place when you outline your book. Sometimes the characters take over and alter your plans, but don’t let that stop you from at least trying to control the situation.

So, work within your plot plan when you can.

Develop the situation

The main reason for the middle of your yarn is to develop the situation(s) being faced by your main character(s). Everything here eventually leads to the climax (arc) of the story. (more…)

by New York Times bestselling author, Joseph Finder

VANISHED, the book that’s coming out in just a few days (!), will be the first in a series featuring Nick Heller, a high-powered investigator with a private intelligence firm . . . and his friends and family.

Creating Nick’s world took longer than I expected, because it was so important to me to get these characters right. It wasn’t just the facts about what guys like Nick - “private spies” - do. It was the essence of the man, the personality, the likes and dislikes, the quirks and the rough edges. It’s always been important to me to like my characters - even the bad guys - and since this gang will be with me for years to come, if all goes well, it was even more important than usual.

Never forget: novels are about people. The more interesting the character, the more interesting the book. Good characters can sometimes save a bad plot, but - with very rare exceptions — good plots can’t save paper-thin characters.

But does that mean that your hero, or your main protagonists, have to be likable? Yes, I really think so. When you’re writing a thriller, it’s especially important. (more…)