How to Get Published

by Jerry Simmons

The fact that someone completes a manuscript does not make them a writer with something worthy of publication. There is much more to publishing than throwing content together and having copies printed. In fact, anyone who thinks they can simply write, print and become successful does not understand the marketplace. Writers who are serious about their craft need an editor and a publisher if they hope to have a chance at success.

Publishers are not printers and the large print-on-demand companies are printers, not publishers. They have utilized a technology and turned it into a multi-million dollar business, good for them. However too many serious writers get caught up in the idea these big printing companies are interested in what you are writing. Excuse me but they are not! They are interested in selling you services that merely add to their bottom line. (more…)

by Michelle Gagnon

Yesterday, Joe discussed knowing where you’re headed before getting started. I received an email from a college friend this week who’s writing his first novel, and he asked me a few questions about my process. I thought I’d share some of what I said in reply. Of course, there is no one “right way” to write a book; everyone has to find his or her own path. But after hammering out four books, I’ve learned what works for me.

1) At what point do you seek formal feedback, rather than just cranking it out?

I don’t show my work to anyone until I’ve completed two drafts. And then I send it to my “Beta readers,” 5-7 people whose opinion I trust. What I’ve discovered, however, is that they’ll all like different aspects of the story, and they’ll all criticize different aspects. I always take that feedback with a grain of salt. If more than one person is saying the same thing, I know it’s time to go back and figure out where I went wrong. (more…)

by Michelle Gagnon

Recently a friend asked for writing advice on behalf of her husband, who started writing a book a few years ago but hasn’t made much progress.

“Let me guess,” I asked. “He’s right around the fifty page mark.” She double-checked with him, and he’d stopped at sixty pages even.

I’m willing to bet that most of the people who never finish writing a book stall out right around that point, somewhere between 40-60 pages. And here’s my theory as to why.

After months or years of talking about writing a book (because at least as far as my experience at cocktail parties dictates, almost everyone believes they have a book in them), they’ve finally sat down and hammered some of those words on to the page! Initially, that’s excitement enough.

Because the outset is always thrilling. And things usually go swimmingly for ten to twenty pages. Then, something gets in the way–maybe they can’t figure out what to tackle next in terms of the storyline, or their day to day life intrudes. So they leave for a bit, and come back to it. Or they manage to overcome whatever hurdle they encountered, plot-wise or life-wise, and forge ahead. Another twenty pages in, they’re feeling a genuine sense of accomplishment. They’re doing what so many people talk about but never achieve–and they’ve already written around fifty pages! The rest should be a breeze, right?

So what do they do at this point? (more…)

by Diane O’Connell

If you’re like many writers, getting that first draft down can give you a rush of excitement. The words flow freely, the ideas come at lightning speed, the book seems to be coming together just as you had in your head.  But then you read it back and — oh, boy, does it need fixing! The thought of cleaning up the “mess” you created is about as appealing as cleaning out a garage stuffed with a quarter century of accumulated stuff — and just as overwhelming.

Many first-time authors begin the revising process by going through their manuscript line by line and painstakingly “editing”: correcting syntax, adding some things, taking out other things, cleaning up punctuation and spelling. Often, this process can seem like torture. And there’s a good reason why. (more…)

by Al Kalar

There’s a lot of information for aspiring writers. Some has to do with the truly important stuff. Some is aimed at the details behind the important stuff. And some is, frankly, misinformation (”BS”).

Given today’s publishing market and the economics of the industry, breaking into print, as a “successful” new author, is very difficult. In fact, the odds are against you. I’m sorry, but it’s true. But by following this rule, you can improve the odds substantially.

You may have heard this before, but it bears repeating; because it’s THE MOST IMPORTANT RULE: (more…)

by Barbara McNichol

Setting out to find the right editor for your manuscript puts you on the road to feeling confident you’ve got a good match. You want to feel comfortable that your editor understands what you’ve set out to accomplish so you can “polish” it together.

Look for a reputable editor who understands the type of book you have written. For example, if your book is business or self-help, choose an editor with experience in these genres. Ensure that the editor you chose has worked with both traditional and self-published books over a number of years. That person’s website should reveal that information and project a professional image. After all, you want your writing to reflect a professionalism that comes from expert editing. (more…)

by E. P. Ned Burke

Rewriting a manuscript may not be the most attractive part of a writer’s job, but it is a necessary one, which brings to mind a local television ad I enjoyed watching years ago. It showed this hillbilly character sitting near a stack of old tires. He wore a pair of bib overalls and he looked straight into the camera and drawled, “Folks, tires ain’t purty.” The ad sold a lot of tires because the actor was believable, and he stated an obvious fact; namely, tires were not beautiful, but they were necessary.

When I first started writing, I thought I was “purty.” I considered myself an “artist,” someone who splashed words upon a page and then stepped back to admire them. Creativity meant never having to rewrite a single word. Such “creativity” also resulted in a steady stream of rejection slips. Over the years, however, I matured and finally acknowledged that rewriting (or, at least, rethinking to find the best word or sentence) had to be a part of my work ethic. (more…)